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Two birds flying high, A Chinese vessel, sailing by.
A bridge with three men, sometimes four, A willow tree, hanging o’er.
English and the Chinese companies produced most of the Blue Willow prior to the 20th century, when the United States and Japan began producing significant amounts of the pattern.
The willow pattern is an oriental pattern, most often seen in blue and white, that features common elements from manufacturer to manufacturer.
These elements are a willow tree, an orange or apple tree, two birds, people on a bridge, a fence, a boat and a teahouse, which some collectors call a pagoda.
This is where we got the name for a “china cabinet.” By the mid-1700s the British potters were gaining the knowledge to produce wares in an effort to compete with the Chinese imports.
In the late 1700s an Irishman named John Brooks invented “transfer printing” which allowed pieces to be mass-produced from patterns engraved on copper plates.
In a bygone age a wealthy and powerful Mandarin of the Chinese Empire lived with his lovely daughter Knoon-se in a grand palace surrounded by ornate, exotic flowers and trees.